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Paola Pivi
Sherrie Levine
Ralph Gibson
Claude Guenard
Bettina Rheims
Pierre Molinier
Guido Argentini
Allen Jones
Mary Katz
Boiffard Jacques-André (1902-1961)
Robert Mapplethorpe
Guido Argentini
Joel Peter Witkin
Kate Burkhart
Albert Watson
Peggy Sirota
Thierry Tillier
Ana Laura Alaez
Nazanin Pouyandeh, “Chut”, 2007
Vito Acconci
The Virtual Pleasure Mask « has a penis for nose, a vagina for mouth, and two televisions sets facing in for the eyes. On the other side of the vagina is a pacifier. So when you’re wearing the mask, someone can be fucking you on the outside, and you can be watching television on the inside, sucking on a pacifier in a world of your own. »
Marsha Marx
Jean-Honoré Fragonard
Ernesto Timor
Peter Franck
Ralph Gibson
Jack Vettriano, A Strang and Tender Magic, huiles sur toile, en trois versions
Ernest Bellocq
von Umwerth Ellen
Doris Kloster
Pierre Molinier, autoportrait au masque
Inez van Lamsweerde et Vinoodh Matadin
Pierre Molinier
Yva Richard
Natacha Merritt
Félicien Rops, l’Hypocrisie
Pierre Molinier par Pierre Molinier
« le Chaman » Titre attribué : Comment me trouvez vous? – Molinier Pierre (1900-1976)
Egon Schiele par Egon Schiele
Natacha Meritt par Natacha Meritt.
Anyone who has seen her Digital Diaries has intimate knowledge of Natacha Merritt. And of her friends, male and female, and her acquaintances as well. But Merritt’s favourite motif is herself: she poses almost every minute of the day for her camera, taking photographs of herself in bed, in the shower, having sex with her friend, masturbating with and without accessories, from every imaginable angle and with the camera usually at arm’s length.
Merritt, born 1977, works with a digital camera, the Polaroid of the 90s, breaking down the most intimate details into universally accessible bits of information. Eric Kroll came across Natacha Merritt by chance in the internet, where she had put several of her photographs. This was something that left the tradition of classical pin-up and fetish photography, in which Kroll himself works, far behind it.
Pour en finir avec Terry Rodgers…
En écrivant que toute l’oeuvre de Terry Rodgers se résumait à un début de partouze en suspend, j’exagérais un tout petit peu, j’avoue… Voici au moins deux toiles qui nous mènent un peu plus loin dans l’action. D’ailleurs la première s’appelle « Between acts » (ce qui suppose d’ailleurs que ces deux couples vont poursuivre leurs ébats après la pause), tandis que la seconde se nomme « Watchman » (ce qui suppose que s’il y a voyeur, il y a quelque chose à mater). Datant de 2000 et 1998, elles sont un peu plus anciennes et d’une autre facture picturale d’ailleurs.
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